This is a well-worn trope of anything having to do with three
different statuses with the final being "just right", so I present to
you the newest tale on the block: Janie and the Three Hubbies! It's a pretty
liberal simplification, but that's the impression I got once Janie fell out
with two consecutive husbands and finds a new boyf in the immensely charming
Tea Cake. In Goldilocks and the Three Bears, the titular character tries out
three different porridge bowls, chairs, and beds, with one of them in each case
satiating Goldilocks' fancies. Janie admittedly takes a bit more time in
feeling out the first two husbands, and in the case of Joe Starks is intrigued
by him for a little while before flaking, but the folklore dynamic still
remains. As such, each of the husbands occupies a different state of control
over Janie, with Tea Cake representing the "just right" alternative.
Her first marriage
with Logan Killicks is comparatively short-lived as well as totally garbage.
Indeed, her time as Ms. Killicks fulfills all her fears about marriage that
were overseen by Nanny. In the middle of it she learns that "marriage did
not make love", and that her "first dream was dead". Reminder:
this girl is still a teenager! This thing sucks so much that she's already had her
dreams die, come to conclusions about the nature of marriage, and been forced
into premature womanhood! But that's kind of aside the point. Logan's own
relationship with Janie is basically busywork and verbal abuse. Like when he
makes her pile manure and chop wood against her will and yet still calls her
"spoiled rotten"; not quite the vision of married life she ever
wanted for herself (26). Sure, his requests would be justified if she had
chosen the farmer's life for herself (though the mocking wouldn't) but she
clearly never wanted to, making Logan perhaps the "too cold"
porridge: intimately distant and expectant of too much.
Janie quickly
moves on to the next bowl/chair/bed when she meets the driven Joe Starks, a
passing-through respectable man with dreams of the future and ambition to
spare. Especially when Joe flings promises to have her made a wife but
"treated lak a lady", one can see how this new status is extremely
appealing to an overworked, underage farmer's wife (29). However, what Joe sees
in her is almost the polar opposite of the Killicks' treatment; instead of the
hardworking expectations of farm life, she is made a trophy wife by Starks,
with little mobility of what she wants to do. Unfortunately, she's stuck with
the sexist control for 17 years, and this predictably damages her independent
spirit quite heavily. "The years took all the fight out of Janie's face
(...) Plenty of life beneath the surface but it was kept beaten down by the
wheels" is how she's described after so long being held on a pedestal she
didn't want to be on (76). She does eventually work up the strength to just
roast the hell out of Jody's saggy britches in the middle of the supermarket
("when you pull down yo' britches, you look lak de change uh life") and
pops his vanity into bleeding "like a flood" in front of everyone
(79). Which I guess is the way for Janie to move on from each not-right
husband; she didn't pull any punches on Logan's skeleton-head-looking self. But
Starks responds to this pent-up protest by striking his wife in utter
embarrassment and hatred, capping off yet another crappy coupling in painfully
extended duration. There are certainly some partners in the world that would
cherish and play the trophy-wife with enthusiasm, just as there are some
willing farmer women for Killicks, but Janie fits neither of those roles and
strikingly so.
Joe gets sick (presumably from being fatally roasted by his estranged
and angry wife) and eventually dies after a very sad conversation about how
wrong the wedded pair were for each other. At this point, readers are extremely
skeptical about another man ever entering Janie’s world or suggesting married
life, as her own experience in marriage has been completely draining and
horrible. And yet, as the tale would comply, third time seems to be the charm.
Enter from stage right Virgible Woods aka Tea Cake, the liberated,
sweet-talking, and infinitely affable young gun who treats Janie, for once, as
an equal. They meet over a game of checkers, which on so many levels charms
Janie past her previous affairs. Where Logan would’ve made her do more work and
Jody would’ve prohibited, Tea Cake teaches her the fun game and even
compliments her on it, reckoning she’ll “be uh good player too, after a while”
(96). This is just the beginning of Tea Cake’s lovable antics; a hair combing
and invisible guitar picking later Janie seems to be completely at home with
him, and convinced that the character is as sweet as his name might suggest. This
seemingly perfect fit allows her plenty of social and personal freedoms that
she hadn’t seen before.
Which begs the question: is Tea Cake kind of a Manic Pixie Dream Boy? Specifically, a massively desirable, completely available, static
character shallow in its quirkiness and only geared towards making the
protagonist happy? Such a criticism in the small glimpse we’ve seen of Tea Cake
I think is sort of fair; there are no perceivable flaws with him and he is
extremely interested in Janie for vague reason. Of course, we have still seen
very little of this character and thus his motivations are difficult to
analyze. It’s also important to see how much better he is from the previous
husbands and how that might gloss over his flaws a bit. However, MPD people are
often either the deus ex machina of the protagonist’s personal resolution, or
the subject of (weak) tragedy in losing an inexplicably perfect human being who
is solely interested in the protagonist. Both are bad storytelling. But that’s
all a bit more involved than some nicely temperature porridge.
So please, let me know if you agree/disagree with the Goldilocks
similarity or allusion to manic-pixie-dream-ism in Tea Cake. If it's the latter, just don't roast me like Janie roasts bad husbands. Though it would be funny.
This is a very thought provoking post. I found your comparison of Tea Cake to the the Manic Pixie Dream trope eye-opening. The modern critique of the manic pixie dream girl is that they are often eccentric, young, spirited girls that exist for the sole purpose of opening up the male protagonists eyes to love, new adventures, or something different entirely. You're right that in his own context, Tea Cake is very quirky, upbeat, and optimistic in comparison to Janie's other husbands and suitors. Hurston purposefully makes the reader want to fall in love with him. I agree with you that (so far at least) Tea Cake's only role in the novel is to develop Janie as a person. On his own, we know very little about Tea Cake; an important part of the manic pixie dream trope is that the character's most important, if not only motive is to progress the troubled protagonist in some way. I too am curious to see if Tea Cake will continue to fit this trope as the book continues. Part of me is too suspicious of him to think he could continue to be this good to Janie, which would break the allegory you have formed.
ReplyDeleteI absolutely loved this post! I've been thinking about her relationships as a sort of spectrum, with Teacake being in the middle, but I think you really nailed it with the goldilocks "just right" idea. However, I think that we don't know enough about Teacake yet to simply write him off as an MPD. I'd prefer to see it as he's simply a nice boy who's wooed our little Janie, and we'll see where he takes us. After all, her previous marriage started out quite well, and we saw where that took us.
ReplyDeleteThis was a super interesting blog post. As much as I would like Tea Cake to be the perfect bowl of porridge for Janie, I can't help feeling like he's not. He disappears for days on end, hangs around Janie in a way that would be creepy if she wasn't so enamored with him, and really just came out of nowhere. Not to mention, she could be the age of his mother and is incredibly wealthy and successful on her own. Finally we're seeing Janie have control of her life, and here comes another man to try and take it away from her. While he could be wonderful, his motives aren't clear and it makes me extremely skeptical of him.
ReplyDeleteI love this analogy of the Tea cake porridge just right, it works really well! Also the diagnosis of Joe's death: "fatally roasted by his estranged, and angry wife." hahah. But real talk I think Tea cake is mildly MPD (agree that we have yet to figure out what his position in Janie's life will grow into), but at this point is more of a tool by the author to show that Janie is going to change yet again and figure out more about herself/ and how relationships in general work with this new love interest. She starts out with Logan with the mindset: marriages are loveless and for social standing (abbreviated definition) and then with Joe, it changes again, to being more of an accessory, and it will change again, and what conclusions she draws from this connection with Tea Cake must be relevant to the story.
ReplyDeleteI agree with your porridge analogy, it suits both husbands beautifully and seems to fit Tea Cake very well so far. However the aspects of Tea Cake's personality that cause Janie to hesitate(gone for long periods of time) make me think that they are not perfect for each other. Also while I was reading your blog i thought, does Janie have an obligation to her husbands that she doesn't fulfill? It seems that so far everything that Janie has done has been thinking about her happiness and not repercussions of her actions, just some food for thought.
ReplyDeleteIf Tea Cake IS a "manic pixie dream boy," he's occupying the role decades before it even existed. But you definitely capture something of his quirky, spontaneous, slightly goofy but still super-cool appeal in these early scenes. The key thing is, he represents a whole style of romance and masculinity that Janie has never even known existed--he's definitely not a "type" she'd encountered before, and all of the ways he DOES seem to be a type (gambler, partier, hangs out with "railroad people," etc.) are things that Janie is wary of (at first). A big part of her falling for him has to do with the utter newness of the way he treats her: combing her hair, for example. She can't imagine why he would do this, if he gets no pleasure or benefit from it. His answer is to insist that her comfort gives him pleasure--a rather perfect answer, from the romantic point of view, and some readers might even roll their eyes (it's a little TOO slick and perfect?). But for Janie, this idea that a lover would do something for "her comfortable" as his sole motive blows her mind.
ReplyDeleteGreat post! Your humor matches the topic very well. As you and others have stated, however, both the Goldilocks similarity and the manic-pixie-dream-ism are too oversimplified to do justice to the complexity of Hurston's novel. Teacake is not perfect, and neither is he really the middle of Joe and Logan, but rather is something completely new.
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